By Cláudio Lucena
This ebook starts off with an workout, providing a theoretical mirrored image at the technological course that, over the years, has reworked the methods we produce, eat and deal with highbrow content material topic to copyright security. This lays the basis for an extra research of the most criminal features of the hot ecu Directive, its advancements, its trends and its issues of controversy, with designated and extra concrete awareness to the way it proposes to handle the problems of pageant, transparency and multi-territorial licensing.
Digital applied sciences, networks and conversation have boosted the creation and distribution of highbrow content material. those actions are in response to a renewable and limitless source – creativity – which turns this content material into strategic creative, cultural, social, monetary and informational resources. dealing with the rights and responsibilities that emerge during this method hasn't ever been a simple activity; dealing with them jointly, that's in most cases the case, provides much more complexity.
The ecu Directive on collective administration of copyright and comparable rights and multi-territorial licensing of rights in musical works for on-line use within the inner marketplace is a coverage initiative that seeks to set up an enough felony framework for the collective administration of authors’ rights in a electronic surroundings, spotting this aim as the most important to attaining an absolutely built-in unmarried marketplace. a part of the electronic time table for Europe, it's an attempt to advertise simplification and to augment the potency of collective rights administration via tackling 3 of the most concerns which are presently undermining the enterprise version of accumulating societies: pageant, transparency and multi-territorial licensing.
The e-book is meant to aid scholars, lecturers and practitioners by means of bettering their basic and felony clutch of those phenomena, whereas additionally encouraging their collaboration with policymakers and different events within the ongoing activity of transposing the Directive into concrete nationwide legislation.
Read or Download Collective Rights and Digital Content: The Legal Framework for Competition, Transparency and Multi-territorial Licensing of the New European Directive on Collective Rights Management PDF
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Extra resources for Collective Rights and Digital Content: The Legal Framework for Competition, Transparency and Multi-territorial Licensing of the New European Directive on Collective Rights Management
February 2014. pdf. htm. 35 Recording Industry in Numbers—an essential guide to global markets. International Federation of the Phonographic Industry. 1st April 2014. Press release. org/news/IFPIpublishes-Recording-Industry-in-Numbers-2014. 36 Commission Staff Working Document Impact Assessment. pdf. 37 The Polish Parliament challenged the Draft Proposal it received, and decided almost unanimously that it did not comply with the principle of subsidiarity, or at least did not sufﬁciently clarify the reason why the envisaged objectives, particularly those in respect of the framework for multi-territorial licensing, could be more effectively attained on the EU level.
Com/ content/early/2014/05/07/1464884914530223 Chapter 4 Collective Rights Management Previous chapters described networked digital and collaborative technologies, their social and economic impact, their particular projections in the creative industry, and how they irradiate effects so as to be both perceived as relevant legal circumstances and addressed by legal mechanisms. The next topics will be dedicated to understand and analyze the speciﬁcities of the activity of collective rights management, primarily from the perspective of the relationship between Collective Management Organizations (CMOs) and the authors they represent.
12 26 4 Collective Rights Management bureaucratic paperwork. Prompt availability of good quality information is a good business practice whose offspring is a transparent undertaking. For authors and right holders, it is everything a collecting society is not, from negotiating contracts, through collecting revenue, organizing remuneration schemes, informing authors, monitoring different uses of their repertoire, managing its own administrative costs, making relevant information public or at least available to those with legitimate interests, until distributing results—including whatever else happens in between.