By Harriet Rutland
That settles it, inspiration Smith savagely. He might be murdered, whether i need to do it myself!
The Hardstaffe kinfolk should not the nicest humans on this planet. actually, he - schoolteacher, lothario and bully, she - continual malcontent - and their horsey single grownup daughter appear to be major applicants for homicide. A author making plans those deaths, on paper no less than, and a tender woman, chased by means of outdated Hardstaffe, are the one outsiders in a deliciously neat, yet nasty, case.
Blue homicide was once the final of Harriet Rutland’s secret novels, first released in 1942. This new version, the 1st in over 70 years, good points an creation via crime fiction historian Curtis Evans.
‘(A) newcomer of remarkable promise’
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Extra info for Blue Murder
He was playing with a little Bohemian girl, Marie Tovesky, who was tying her handkerchief over the kitten舗s head for a bonnet. Marie was a stranger in the country, having come from Omaha with her mother to visit her uncle, Joe Tovesky. She was a dark child, with brown curly hair, like a brunette doll舗s, a coaxing little red mouth, and round, yellow-brown eyes. Every one noticed her eyes; the brown iris had golden glints that made them look like gold-stone, or, in softer lights, like that Colorado mineral called tiger-eye.
In this first paragraph, Cather tells, cinematically, everything she knows about the primitive state of the Nebraska landscape where her family arrived from Virginia in 1883, when she was nine years old. Incidents from life (the 舠plot舡) will eventually fill in the details, but this compressed, poetic evocation of the landscape has already told us everything we need to know about the story. It舗s an aesthetic practice Cather passionately believed in. 舡 She wants to throw the furniture out the window.
Alexandra makes her fortune by mortgaging her father舗s land and using the cash to buy the failing farms of her less fortunate neighbors during the Agricultural Depression of 1893-1896. It is not by farming, but by speculation (motivated, as Cather tells it, by Alexandra舗s vision of the transcendental goodness of the land) that she becomes a wealthy woman. She has, writes Cather, 舠the impervious calm of the fatalist舡 (p. 125). Her mind is calm, 舠a white book, with clear writing about weather and beasts and growing things舡 (p.