Download A Spectacle of Corruption (Benjamin Weaver, Book 2) by David Liss PDF

By David Liss

Benjamin Weaver, the quick-witted pugilist grew to become inner most investigator, returns in David Liss's sequel to the Edgar Award--winning novel, A Conspiracy of Paper.

Moments after his conviction for a homicide he didn't devote, at an ordeal presided over by means of a pass judgement on decided to discover him to blame, Benjamin Weaver is accosted by way of a stranger who cunningly slips a lockpick and a dossier into his fingers. immediately he is familiar with issues: a person had long gone to loads of hassle to work out him condemned to hang--and one other both mysterious agent is decided to work out him free.

So starts off A Spectacle of Corruption, which heralds the go back of Benjamin Weaver, the hero of A Conspiracy of Paper. After a bold get away from eighteenth-century London's such a lot infamous felony, Weaver needs to face one other problem: tips to turn out himself blameless of against the law while the corrupt courts have already proven they need purely to work out him cling. to find the reality and transparent his identify, he'll need to comprehend the motivations at the back of a mystery scheme to extort a clergyman, discover double-dealings within the unrest between London's dockworkers, and disclose the conspiracy that hyperlinks the plot opposed to him to the looming nationwide election--an election with the aptitude to spark a revolution and topple the monarchy.

Unable to teach his face in public, Weaver pursues his inquiry within the guise of a filthy rich service provider who seeks to contain himself within the political scene. yet he quickly unearths that the realm of well mannered society and politics is full of schemers and plotters, males who pursue riches and power--and those that search to come back the son of the deposed king to the throne. Desperately navigating a labyrinth of politicians, crime lords, assassins, and spies, Weaver learns that, in an election 12 months, little is what it sort of feels and the reality comes at a staggeringly excessive cost.

Once back, acclaimed writer David Liss combines ancient erudition with secret, complicated characterization, and an enthralling humorousness. A Spectacle of Corruption offers perception into our personal global of political scheming, and it firmly establishes David Liss as the most effective writers of highbrow suspense at paintings today.

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Extra resources for A Spectacle of Corruption (Benjamin Weaver, Book 2)

Sample text

Could it be that Achilles and Odysseus, despite the contrasting conjunctions of pleasure and pain which define their situations, seek the same thing in the experience of song? And how important is it that in both cases there is a sharp disjunction between the impact of song on the individual hero and the surrounding social setting in which that individual is located? To find meaningful, satisfying answers to such questions is difficult, maybe impossible. But it is a crucial feature of both these Homeric scenes that they present the two heroes as somehow in need of song, while providing no explicit account of what that need (paradoxically pleasurable for Achilles, paradoxically painful for Odysseus) amounts to in each case.

6, 311–17. 1 explicitly refers to those who naively trust (ðØóôåýåØí) the extravagant accounts of poets, implying that they cannot distinguish between historical plausibility and ‘the legendary’ (ôe ìıŁHäåò); cf. n. 44 above. g. Cornford 1907: 137–52, 221–43, Finley 1942: 321–5, Macleod 1983: 140–58, Halliwell 2002c, Hornblower 1987: 113–19. 50 51 Setting the Scene 25 The history of Greek poetics, as the preceding pages have already signalled, begins inside not outside poetry. The poets are their own first interpreters, and some might say their best.

Own poetics. The implications of that compound claim can hardly be expected, however, to stand alone. They call for the support of a wider perspective on Homeric images of song, a perspective organized around the question: is there a unifying vision, a coherent constellation of values, behind the various appearances which song makes in the world(s) of the Iliad and Odyssey? In short: is there a poetics in Homer? One does not have to move far in modern Homeric scholarship to find that talk of the presence of a ‘poetics’ within the epics themselves is extremely common; some scholars are even prepared to equate the idea with a Homeric ‘theory’ of poetry.

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